Wednesday, March 26, 2003
Chancellor Gardens changes hands
With its principal owner in bankruptcy, the company that owned Chancellor Gardens on Scott Dyer Road has sold the Cape Elizabeth assisted living home, as well as a sister facility in Saco, to Commonwealth Communities of Massachusetts. The home has been renamed Village Crossings of Cape Elizabeth.
Abraham Gosman, who lives in Florida, was the majority owner of the company that owned Chancellor Gardens and Chancellor Place.
He was also a founder of Carematrix, the company that managed the Chancellor properties. Carematrix will not continue its management functions, according to Beth Derrico, a spokeswoman for the company.
Gosman, who made millions in real estate and healthcare, filed for bankruptcy in 2001, according to William King of Development Specialists Inc., the Miami-based firm that was appointed by the court as trustee for Gosman’s assets.
His filing was cited as an example of a problem some legislators see with the federal bankruptcy system – the unlimited homestead exemption. Sen. Herb Kohl, D-Wisc., told the U.S. Senate in March 2001 that Gosman, while owing as much as $233 million, was keeping a 64,000-square-foot mansion in West Palm Beach, Fla.
In his Maine business dealings, Gosman had guaranteed a mortgage taken out by the Chancellor company, with the two homes as collateral. “The value (of the properties) was significantly less than the mortgage,” King said.
Rather than foreclosing on the homes, the lender agreed to cooperate in the sale of the properties and take the proceeds as partial payment of the debt, King said.
The change of ownership took effect March 1, bringing Chancellor Gardens and Chancellor Place in Saco into a company that already operates 12 nursing homes and rehabilitation facilities, six assisted living homes and four specialized hospitals in Massachusetts.
“This is our first step into Maine,” said David Calendrella, vice president of operations for Commonwealth Communities.
Last year Commonwealth bought two Massachusetts nursing homes from the same owners.
“They proved to be quality facilities,” Calendrella said. That experience led to this recent deal.
“We’re very bullish on the Maine marketplace,” he said.
The company does not have significant plans to change things at Chancellor Gardens. “At the moment, the plan is to introduce ourselves as the new owners,” Calendrella said. No staff changes are in the works, he said. Everyone has signed on with the new owners.
Calendrella plans to pay close attention to hiring practices and employee supervision, in the wake of an employee’s February arrest on charges of stealing medication from several patients. He said the company would be open about any problems that might arise.
It is the second turnover of a senior living facility on Scott Dyer Road in three months. In January Haven Healthcare of Cromwell, Conn., took over the management of the Viking Nursing Home and Crescent House, with plans to take ownership in the next several months.
Thursday, March 20, 2003
Bliss wants to lower voting age to 17
Rep. Larry Bliss, D-Cape Elizabeth and South Portland, is the lead co-sponsor of a bill that would lower Maine’s voting age to 17. He and bill sponsor Rep. Glenn Cummings, D-Portland, have been touring the area talking to high school students about it.
The reaction has been mixed, Bliss said. The 18-year-olds in the classes aren’t impressed by the idea, while the 17-year-olds really like it. Bliss said he and
Cummings, both former high school history and government teachers, want to make government more accessible to young people.
“If you’re 17 years old when you’re learning about how the government works, you ought to be able to have a say in it,” Bliss said. Further, many 17-year-olds in Maine are paying income tax and have no voice in how that money is spent.
Lady ghost roams Crescent Beach
Cape Elizabeth’s resident ghost, the “Lady in White” of Crescent Beach, made a cameo appearance in a lecture at the Cape Elizabeth Historic Preservation Society’s meeting earlier this month.
Bill Thomson of Kennebunk, a retired history professor from Salem Teachers College in Massachusetts, spoke on ghosts and coastal hauntings in New England. He first addressed what a ghost is, explaining that “98 percent of all ghost stories can be explained” by something rational, rather than supernatural.
He told of a Maine landlord who had a hard time keeping tenants in an apartment; all of them complained of an eerie singing sound coming from one particular wall. The tenants blamed a ghost. Eventually the landlord got tired of the problem and took a shotgun to the wall, Thomson said. He discovered an old saw hanging inside the wall, and rubbing against a partly exposed nail in such a way to make a singing or screeching noise.
It is the other 2 percent of ghost stories that interest Thomson, particularly
vivid smells, unexplained noises and voices, moving furniture, appliances going on and off for no reason and apparitions.
He has a theory about visions people have of ghosts: Living people emit energy in “waves,” which intensify at times of great stress. Many ghosts are of people who have died violently, and therefore would have put out a lot of these energy waves just before they died.
Thomson theorizes that those waves remain in the room or building where the person died, “bouncing around.” When other people come into that room and, by virtue of their own psychological situations, become attuned to the frequency of those waves, they see the vision.
He admits it sounds outlandish, but said he didn’t believe in ghosts for a long time, until he began studying them and experiencing ghostly phenomena.
When he was filming a special on hauntings for a TV network, Thomson was in the Kennebunkport Inn, which supposedly is haunted by “Cyrus the Ghost.” When filming a segment, a red ball appeared on a television monitor and bounced all over the screen.
“I never believed in the stuff before I saw it,” Thomson said.
Cape residents have seen their share, too.
Crescent Beach is home to such a haunting. Lydia Clark, a 24-year-old daughter of a Portland businessman, had been sent to Boston to buy a wedding dress. She was returning with her new dress on the schooner Charles on July 12, 1807, when it was caught by
a storm just south of Portland Head, and wrecked on Little Island Ledge.
Clark drowned and washed up on Crescent Beach. Beside her in the morning was her trunk, containing the new wedding gown. Since then, people have seen a figure in white, with an anxious expression on her face, pacing the beach.
There may be houses in town that are haunted, too. Beckett’s Castle on Singles Road may be haunted by Sylvester Beckett, who built the home and died in 1882. While many hotels and bed-and-breakfasts advertise their ghosts to attract spirit-loving guests, most homeowners keep mum about their ghosts, fearful that potential buyers might lose interest or scuttle the deal.
And though there are 11 haunted lighthouses in Maine, none of those are very close by. “Portland Head Light is not haunted,” Thomson said, later confirming that the others are without ghosts, too.
Cape kids sending troops cookies
They didn’t do it for the fame, and they don’t support war, but two Cape kids are sending Girl Scout cookies to U.S. troops in the Middle East.
After watching the evening television news last week, 11-year-old
twins Jonathan and Lexi Bass were moved to do something to support the troops they had seen interviewed in the Kuwaiti desert.
The soldiers didn’t have much to do, and were feeling both proud and worried about the prospect of serving their country in wartime. Lexi, a Girl Scout, had loads of boxes of Girl Scout cookies in the back hallway ready for delivery, and the pair decided to buy some more for the troops.
Jonathan and Lexi wrote a letter to the people who live in their neighborhood off Mitchell Road, explaining what they had seen on the news and what they wanted to do. They asked for donations, saying the soldiers “were very serious and very nervous” about war, and were in the desert without their families.
It was Tuesday night. By Saturday, neighbors had donated enough money to buy over 100 boxes of Girl Scout cookies. Some neighbors sent notes with their donations, including one from a woman who said she didn’t support the war, but her husband had served in Vietnam, and she wanted to be sure to support the troops.
Jonathan and Lexi spent Sunday packing the cookies up and getting set to send them off, with notes saying “Thinking of you from Cape Elizabeth, Maine.”
Because of increased security, sending unmarked boxes to “any soldier” in the Persian Gulf region is complicated, so the kids are making arrangements to send them through the USO.
Cape musicians must choose between prom and performance
Seven Cape Elizabeth High School students, four of them seniors, may have to give up their high school prom in mid-May in order to participate in the All-State Music Festival at the USM campus in Gorham.
No students will be able to commute to the three-day festival, which runs from May 15 through May 17, according to Joan Hamann, president of the Maine Music Educators Association, which hosts the event.
“We have about 450 students that we are responsible for,” she said.
Students will stay in USM dorm rooms and attend lots of rehearsals and special programs. “The activities will go quite late,” until 9:30 or 10 p.m., Hamann said. Students also will have to observe a curfew.
CEHS principal Jeff Shedd had asked the organization to consider allowing Cape students to stay until the end of evening rehearsals on Friday, May 16, and then leave to attend the prom.
“They would arrive late for the prom, but at least they’d have an opportunity” to attend part of it, Shedd said. It would likely finish too late for students to drive back to Gorham, so Shedd proposed allowing them to stay at their homes and arrive back at the festival early Saturday morning.
He questioned an interpretation of the rules of the festival. Organizers said students had to stay overnight, while Shedd read them differently.
Hamann said students who knew they were going to the prom would not be focused on their music. “It’s hard to believe that that student isn’t going to be watching their watch” all afternoon, she said.
She also wants to be sure students get proper rest. “It’s so strenuous,” she said, “we’ve had students that have passed out” from exertion.
And she wants to be fair about the event. “It’s expecting (students) to make choices,” she said. “It’s trying to provide a good experience with the kids.”
She also said the national association of music educators has issued guidelines for statewide music festivals, which include a recommendation that all participants stay overnight. “Nationally there have been events” that led to the policy suggestion, she said.
No other districts have asked for exemptions, Hamann said. “We’re certainly trying to work with the school system,” she said. She noted that attendance is not mandatory. Students were selected by audition to participate, and there are more students who would want to take any open slots.
CEHS Music Director Tom Lizotte said the decision was “disappointing,” but he was glad that the association had given Shedd’s request “very, very serious consideration.”
Part of the problem is that a scarcity of prom locations means the date for next year’s prom was chosen three months ago, Shedd said. Next year’s music festival won’t be scheduled until this year’s festival actually takes place.
“I hope there will not be a conflict,” he said.
Concannon moves on
Kevin Concannon of Scarborough, formerly Maine’s commissioner of human services, has taken a job at the helm of the Iowa Department of Human Services.
That agency, like the one planned for Maine, combines health and human services and mental health. It also adds juvenile corrections.
“That is similar to the agency that I was in charge of in Oregon” from 1987 to 1995, Concannon said. Last month he had told the Current that he was looking to the private, non-profit sector. He says now that he had a change of heart on the way back from a job interview in Oregon.
“What do I really like the most?” he asked himself. “What I really like is what I’ve been doing on the public side,” he said.
Iowa is different from Maine in many ways, he said. Iowa has 3 million people spread across twice the geographic area as Maine.
“They have 99 counties,” Concannon said.
There are some similarities, however, in terms of the work he has done here. “They want to have an effect on things like prescription drugs, alternatives to nursing homes and Medicaid waivers. And I said, ‘I’m your man,’” Concannon said.
Of further interest, both the governor and lieutenant governor of Iowa are beneficiaries of the state’s human services department. Gov. Tom Vilsack was adopted, and Lt. Gov. Sally Pederson has an autistic child, Concannon said. He expects their experience to translate to strong support for his work.
Concannon expects to be confirmed by the state Senate in mid-April. He will sell his home in Scarborough and move to the Des Moines area, he said. His children, now adults, are still in Maine however, so Concannon and his wife will return to visit, he said.
Ft. Williams fee killed
As expected, the Cape Elizabeth Town Council ended discussion on admission to Fort Williams Park without imposing any fees. Five councilors said they would not support the fees proposed, and most said they would not support any fee for park entry.
Councilor Mary Ann Lynch, who had proposed a $5 annual charge for cars and $40 for tour buses, said she was glad to have raised the issue for discussion, but accepted that it was not to be. The fee was projected to raise $200,000 annually.
Councilor Anne Swift-Kayatta spoke in support of the fees, but for outsiders, not Cape residents. She said just under half of the e-mails she had received were for the fees.
In the historical documents laying out the park, its use was to be “within the financial capabilities of the town,” Swift-Kayatta said.
She wanted the money to go to the upkeep of the park itself, rather than the town’s general operating fund, as Lynch had proposed.
Because of tight budgets, Swift- Kayatta said people who use the park should pay. “Right now, Cape citizens do not freely enjoy Fort Williams,” because they pay for it through property taxes. “Only the tourists do,” she said.
Councilor Penny Carson said she noticed a contradiction between the proposal and people’s positions. While the idea was put forward to decrease pressure on the property tax and allow fixed-income people to stay in town,
most of the people who spoke against the fee were from the group the idea hoped to protect.
Residents spoke for and against the idea, suggesting some realistic solutions and others more amusing. Many wore stickers saying “NO” to show their opposition to the fees.
Eleanor Baker spoke on behalf of the Fort Williams Charitable Foundation, saying the organization’s mission was to raise charitable donations “to help keep the park free and open for all.” She said the council should give the foundation a chance before imposing fees.
“The foundation hasn’t been given enough time to do its job,” she said.
Other residents also expressed their concern that charging a fee would result in decreased volunteerism at the park.
One volunteer, Ruth Pitzele, said, “the people who volunteer might change their minds” if the park was no longer free.
Another resident suggested keeping costs down by increasing volunteerism. Eric Copperman said he moved to Cape from New York, where there was “class conflict” between people who could afford things and people who could not.
“Please do not do this to our town,” he said. Instead, people could help the town budget themselves: “Go to the park, pick up the trash, do it for free,” he said.
Some also spoke about the tradition of keeping the park free for everyone to use.
Al Barthelman, chair of the Fort Williams Advisory Commission, said the fort’s operating expenses were less than half a percent of town spending.
Jack Sears said Portland Head Light would be the only Maine lighthouse
with an admission fee, and suggested opening the south road for free access to the lighthouse alone. He then drew laughs with his idea of selling sponsorships for the park; he distributed to councilors digital mock-ups of the lighthouse with a Nike “swoosh” logo on it as an example of a way to help the park make money.
Stephen Simonds said he was a member of the last original Fort Williams study committee before the park was actually purchased by the town. “The word we heard was ‘leave this Fort Williams open without a fee,’” he said.
Brian Guthrie suggested asking for donations and seeing how much that raised. He also proposed charging a fine for people who get locked in the park by staying after closing time, saying they cost the town money to unlock the gate and let them out.
Representatives of the tourism industry also spoke to the council. Both Steve Lyons of the state Department of Tourism and Don Haggett, who helps bring bus tours to Maine, said tour companies would want lead time, to be able to incorporate the admission fees into ticket prices.
Jeanne Gross, director of the Portland Head Light Museum, said the museum’s entry fee of $2 turns away half of the people who get to the door. She predicted the volunteers would quit if there were fees, and that the town would have to hire replacements for them.
School funding also came into the discussion. Kevin Stack said he saw a councilor on television say that the town is “wealthy and can afford to pay for a park.” He differed, saying “if we were a wealthy town, there would have been no problem” to pay for the school construction project discussed the previous evening.
Elaine Moloney, finance chair of the School Board, who spoke as a private citizen, said “the schools are struggling in maintaining programs.”
She challenged the town’s statement that its contribution to the county budget is “beyond their control,” while the schools were held to account for reductions in state funding totaling nearly $1 million over the past two years.
“We must look at both the school and the town budgets as one,” she said.
When faced with cutting programs or charging fees, she saw the latter as “the lesser of two evils."
Maine blood heads to Navy
The U.S. Navy has asked the Maine Blood Center in Scarborough to send donated blood to the National Naval Medical Center in Bethesda, Md., to respond to additional need for blood by the armed forces.
MBC normally collects blood donations from around the state and provides blood and platelets to Maine Medical Center and other local hospitals. One place that has hosted blood drives over the past eight years is the Supervisor of Shipbuilding facility, a U.S. Navy site near Bath Iron Works, according to Kathy Carmichael at MBC.
In exchange for permission to collect blood at a Navy site, MBC had to agree to send blood to the Navy upon request, Carmichael said.
“The time has come,” she said. Mainers have benefited from blood donations by Navy personnel, and now it is time to repay the debt, she said.
Carmichael declined to be specific about how much blood MBC is sending to the Navy. “It’s not a lot, but it’s enough to put a bit of a strain on us,” she said. She also did not know how long the Navy would need MBC to continue to send blood.
Carmichael did not know why the Navy needs the blood, but speculated that some prospective donors in the military may have been inoculated against smallpox, making them ineligible to give blood.
Kevin Sforza, a spokesman for the National Naval Medical Center, said MBC sends two units of platelets to the hospital each Friday.
Platelets are in high demand because they expire in five days and cannot be frozen like whole blood can.
Many of the hospital’s usual donors have been rendered ineligible, either by being vaccinated against smallpox or other diseases in preparation for war, or by being exposed to West Nile Virus, Sforza said. “Having sufficient blood supplies ready to use is crucial to military effectiveness,” he said.
Heavy, dense, slow to move: Copenhagen like natural uranium
Uranium in its natural form includes two subtypes: U-238, a heavy metal that absorbs energy without flinching, and U-235, the fuel for nuclear reactors and the first nuclear bombs. Volatile U-235 must be extracted from the surrounding material and gathered together in a tiny space to form a crucible of powerful material that explodes in a fury of energy and light.
So it is with a play. Dense words, dark on the page, must have their meaning and potential extracted and then presented on the crucible of a stage to enlighten and excite the audience. Copenhagen is a hard play to do this with, and resisted being distilled by Portland Stage Company.
Playwright Michael Frayn delved deep into theoretical physics to understand a historical event: German physicist Werner Heisenberg traveled to Nazi-occupied Copenhagen in 1941, where he spoke with his former teacher, Niels Bohr, the discoverer of atomic structure and grandfather of nuclear science. The subject of their conversation remains unknown. What Frayn surfaced with is a play that demonstrates in art two important concepts in physics, Heisenberg’s uncertainty principle and Bohr’s idea of complementarity (or duality).
Both are attempts to infer reality from what can be observed about the way particles move in the world, much as Frayn has tried to figure out what happened that night in Copenhagen by learning what Bohr and Heisenberg said and wrote about their meeting.
Frayn’s play is an example of the challenge of the uncertainty principle: It looks closely at one event, the meeting in Copenhagen, and tries not to lose focus of the rest of the context, including the Nazi occupation of much of Europe and the nascent arms race pitting the US and the UK, which had offered asylum to German Jewish physicists, against Germany itself. Further, it has a powerful physical duality: both a historical lecture and a play in one.
The historical value of it is a bit dubious, at least according to Heisenberg’s son Jochen, now a theoretical physicist at UNH, who told the PSC audience after a recent show that he thinks much of it is accurate, but his father was more rational and less emotional than Frayn allowed him to be. For that, we should thank Frayn: If any of these characters were less emotional, they would be dead, as indeed they all are today.
Combining science and art is a commendable undertaking, and one which this newspaper rewarded by sponsoring the play at PSC. However, the brutally spartan set and lighting force unwavering attention on complex speeches delivered by two of history’s most towering scientists. They discuss the moral role of a scientist who is pushing the limits of human capability, and whether people who know how to create terrible weapons should do so, or should delay politicians eager for new power.
Director Rafkin has chosen a play with strong contemporary tie-ins, weapons of mass destruction, scientific ethics, and the role of science in war. But he has not distilled the volatile, powerful emotion from the dense and deadening dialogue. The actors are perhaps put through their physical paces on a three-dimensional set unlike any other, but their passions are fettered and hidden. Brief bursts of energy are not reflected or amplified by the others, but are instead absorbed, stopping the chain reaction before it even starts.
Copenhagen
Written by Michael Frayn. Directed by Michael Rafkin. With Alison Edwards, Lee Godart, and Glen Pannell. At Portland Stage Company through March 23. Call (207) 774-0465.
BACKSTAGE
• Copenhagen is PSC technical director Ted Gallant’s 100th show. Since he started in 1987, he has climbed the exterior of a forklift to load a set into the building (Triple Espresso), designed two beds that fly for A Christmas Carol, built the lobster boat at the Children’s Museum of Maine, and ripped out a third of the stage to make room for a three-foot-deep swimming pool for Church of the Sole Survivor.
He called the set work for Copenhagen easy, saying the set for True West was much more challenging. It had to be constructed both in intricate detail and in super-sturdy form. Not every telephone gets ripped out of the wall daily, nor kitchen drawers thrown on the floor every evening. He has to work with actors, directors, and lighting crews to get things that look good and work properly but also fit in the space allotted and suit the rest of the performance.
" I never thought I was going to do a 100th show, " Gallant said, and laughed at the idea of 100 or 50 more, saying he would see what happens. Don’t be too surprised, though. After 15 years, " it has become what I do. "
• With no warning or explanation, Cauldron and Labrys’ run of Carolyn Gage’s Thanatron has ended prematurely at the Portland Performing Arts Center studio theater.
• For an evening of free theater, check out Eggs over Eric, written and directed by Tim Rubel, in a workshop production at PPAC’s 25A Forest Avenue studio theater at 8 p.m. March 27, 28, and 29.
• PSC’s 14th Little Festival of the Unexpected is coming April 23 through 26, showcasing new women’s voices in theater and preparing Women and the Sea for its debut at PSC next season.
• Registrations have closed for the Maine Association of Community Theaters’ one-act festival. Keep your eyes open for many of Maine’s local stars at Great Falls Performing Arts Center in Auburn, May 2 and 3.
Thursday, March 13, 2003
School Board cans Hamlin idea
The numbers seem to show that Town Council Chairman Jack Roberts’ proposal for Cape Elizabeth to take over or share South Portland’s Hamlin School would cost more than either building an addition to Pond Cove School or renting portable classrooms at the school.
South Portland also has told Cape there would be no chance for a long-term lease agreement. Instead, the longest lease Cape could look for in negotiations would be a single year, Superintendent Tom Forcella told his School Board at a finance committee meeting Tuesday night.
Roberts had suggested using the Hamlin School to house Cape Elizabeth’s kindergarten, now housed at the high school.
Cape Business Manager Pauline Aportria spoke with her counterpart in South Portland and learned that a lease of the building would cost roughly $86,000 for the first year, which would include heat, electricity, water and sewer fees and snow removal. Telephone lines and staffing the building with a custodian and a receptionist/secretary would cost an additional $74,200.
That would bring the Hamlin proposal in at $160,200 for the first year. Aportria expected that costs would rise 3 percent per year. The worksheet Aportria distributed did not include projections for a nurse, special education travel costs or any other incidental expenses.
“If anything, the number at the Hamlin School could be higher,” Forcella told the board. Finance Chairman Elaine Moloney said it was unclear what, if any, money would be available from the state as an incentive to carry out the Hamlin plan and offset its costs.
By contrast, the cost of renting and operating portable classrooms at Pond Cove for the kindergartners would start at $97,300 for the first year, and would drop to nearly $48,000 in the second year. After a third year of leasing (at $49,000), the district could buy the portables in five annual payments of roughly $74,000 each. Board member Kevin Sweeney warned bringing portables into compliance with future building codes could be expensive.
Building a new addition at Pond Cove would cost $139,000 in debt service and operating costs in the first year, would rise to $165,500 in the second year, and would decline each year for the 20-year life of the loan.
The board also agreed that the size and location of the Hamlin School were unsatisfactory. “Our kids would be in another town, which is not an ideal thing,” Forcella said.
“We’ve been trying to get those kids out of the high school, and now we’re going to ship them out of town?” Sweeney asked rhetorically.
Moloney said she was opposed to the Hamlin idea both because it costs more and because it “defeats the purpose” of the School Board’s efforts to get the students together in buildings housing grades K-4, 5-8 and 9-12.
Roberts, in an interview Wednesday, questioned whether the $86,000 figure for school rent was realistic. He said South Portland has rented other buildings to non-profits for lower rates per square foot. He also did not know whether control of the building would revert to the South Portland City Council if it were not being used as a school.
If the numbers do end up showing the Hamlin idea to be more expensive, Roberts said he would not be discouraged. “I’m not married to that proposal,” he said.
CEHS traffic plan to be tested
A new traffic flow plan for getting cars into the high school area in the mornings will begin trials just after April vacation. Starting that Monday morning, April 28, traffic coming south on Route 77 will be able to turn right onto Jordan Way, the road between the police and fire stations.
According to a proposal drawn up by parents, police and town and school officials, cars will be allowed to drive down the road and through the gate by the fire station, which is usually locked.
Then they will have to go around the loop where buses drop off at Pond Cove School and down to the high school.
“They need to go around the circle, not just go in and take a left,” said Debbie Croft, president of the High School Parents Association.
There will be a stop sign added at the intersection of the Pond Cove access road and the road leading behind the high school toward the pool, Croft said.
There also will be a couple of speed bumps put on that road to the pool.
Cars will only be allowed to exit the high school at the normal exit, onto Route 77, and drivers coming north toward the high school will still have to turn left into the existing entry, Croft said.
The new route will be used in the mornings only. Croft said the traffic is less of an issue in the afternoon because it is more spread out across time; not everyone is trying to get out of the high school at the same time.
The trial will run until the end of the year, Croft said. At that point they will reassess the situation and see about further changes.
Croft said the HSPA still wants to learn more about putting a traffic light at the Route 77 entry to the high school. That is the group’s long-term goal, she said.
The light would initially be used only at peak traffic times of the school day, but could also be used to manage traffic entering and leaving the high school during special events at night or on weekends, Croft said.
Cape man leads Civil Air Patrol to new skies
Maine’s members of the Civil Air Patrol have a new mission and have formed a rapid-response team to be ready in case they are needed to respond to a public safety threat.
“We’re very involved in homeland security,” said Maj. Chris Hayden of Cape Elizabeth, commander of the Cumberland County Combined Squadron of the Civil Air Patrol.
In an emergency, the Civil Air Patrol could be called on to provide aerial reconnaissance of a disaster site, either visually or with equipment that can measure airborne contaminants. The planes and pilots could also search for people or vehicles, or transfer supplies or personnel to and from emergency sites and staging areas.
Cape Elizabeth has long been home to CAP leaders. Cape resident and newspaper magnate Guy Gannett was a leader in encouraging Fiorello LaGuardia to establish a national group of aviators to help with home defense. On Dec. 1, 1941, a week before Pearl Harbor, the CAP was founded, with Gannett as a member of the board of directors.
Since then, the CAP has been charged with aircraft education, emergency services and cadet training about aircraft handling and maintenance. It is adding the security work to that list and has a new name to reflect its new importance: U.S. Air Force Auxiliary.
“We are basically at the table with the Air Force” in homeland security planning, Hayden said.
The Cumberland County squadron is the first branch of the CAP in Maine to form a quick-response team. “We’ve written the book for the rest of the wing in Maine,” Hayden said.
There are always two pilots on call, who must keep their flight suits and clothing and toiletries for two days close by. The pilots and ground crew members must be able to get into their planes, parked at the Portland Jetport, within an hour after receiving an emergency page.
Members of the group are unpaid, though their aircraft purchases, maintenance and fuel are covered by the Air Force.
They are using cellular phones’ text messaging capability to activate the crews. When a message is received, the phone chirps or vibrates, alerting its owner to a new message. “I actually put mine under my pillow” at night, Hayden said.
The unit has been conducting drills and stepping up their training, to make sure they are prepared if something does happen.
CAP members are planning training exercises with other homeland-security agencies, including the Air Force, the Coast Guard and the National Guard, as well as local law enforcement agencies and the Red Cross.
“We haven’t all been training together,” Hayden said.
Hayden is also trying to spread the word to employers that CAP members have important public-safety duties that may require them to leave work at a moment’s notice. While training, meetings and most CAP activities are done at regularly scheduled times, CAP members may need to drop everything if a major incident occurs, Hayden said.
“If they do get called, let them go without prejudice” is the message he wants employers to get. “They are doing a service for the country.”
In addition, Hayden is building ties to towns and cities in Southern Maine, to let local governments know how the CAP can help them. CAP pilots and crews can search coastlines and borders and monitor disaster sites from above. And they can help towns with aerial photos, road surveys or other assistance where looking at the ground from above could be useful, Hayden said.
Biotech struggles to start at PATHS
Fifty years after James Watson and Francis Crick discovered the structure of DNA, a program offering cutting-edge biotechnology education to local high
school students is having trouble generating interest.
In August, teacher Don Berthiaume started the program, housed at the Portland Arts & Technology High School, in a room with bare walls. Since
then, he has furnished it and stocked it with his own library of texts and reference books. He also has gathered donations of equipment and supplies worth more than $16,000 from local biotech firms, but so far has attracted only one student.
Local schools may send one or two students each next year, which would be a big boost to the course.
“We have a functional lab,” Berthiaume said. It includes a bio-safety cabinet for working with materials in an uncontaminated space, DNA replication and extraction devices and machines that can create “fingerprints” from DNA that can then be used to do DNA matching.
This is not the first time Berthiaume has started such a program from scratch. Seven years ago, he was a high school biology teacher in Biddeford and began a biotech class at the vocational-technical school next door.
He had no trouble finding students then because they already knew him. He would recommend that the best students in his classes take the biotech course the following year.
For students who took the semester-long class and wanted to do more, he arranged internships with local biotech companies.
One of those students got a job with Maine Biotech Services right out of high school, and the company is paying for her to go to college at USM, Berthiaume said.
It was a great opportunity and with the high school right next door, students jumped at the chance. “I actually had a problem with enrollment – too many students,” he said.
Now, in the program’s first year at PATHS, he has but one. He has been working hard to attract students to the program, giving presentations to local school guidance counselors and science teachers.
Part of the challenge is overcoming a large number of barriers all at once. First, PATHS has never been seen as a place for top-notch academic students to find opportunities.
Second, timing is a problem. Not only are PATHS sessions two and a half hours long, but students have to be bused back and forth to the school. Students in college-prep classes can’t often miss that many classes, Berthiaume said.
He is now targeting high school seniors because they will have taken the prerequisite courses and have some flexibility to choose electives, including biotech.
Enrollment doesn’t worry at least one member of the PATHS advisory board, Kevin Sweeney, also a member of the Cape Elizabeth School Board.
“We are going to continue to support this for a while regardless of student enrollment,” Sweeney said. He recognizes the challenge of overcoming PATHS’ image as a school for special education students.
“This program puts PATHS in an entirely different place than it was,” Sweeney said.
It does, however, still target students who want to have direct experiences and have an alternative learning style, Sweeney said. Also, it takes advantage of the broad base of schools PATHS serves. No single school could fund a biotech program or attract enough students to make it work, Sweeney said.
Ellen Ross, science department head at Scarborough High School, said one student is expecting to go next year, and another may also go. Ross said biotech is an important field for future scientists to learn about.
“It’s a wonderful opportunity,” said Michael Efron, science department head at CEHS. A student or two from Cape may be looking at it for next year, he said.
A student from South Portland High School is also looking at the program, according to Linda Sturm in the SPHS guidance office.
Chancellor Gardens changes hands
With its principal owner in bankruptcy, the company that owned Chancellor Gardens on Scott Dyer Road has sold the Cape Elizabeth assisted living home, as well as a sister facility in Saco, to Commonwealth Communities of Massachusetts. The home has been renamed Village Crossings of Cape Elizabeth.
It is the second turnover of a senior living facility on Scott Dyer Road in three months. In January, Haven Healthcare of Cromwell, Conn., took over the management of the Viking Nursing Home and Crescent House, with plans to take ownership in the next several months.
Abraham Gosman, who lives in Florida, was the majority owner of the company that owned Chancellor Gardens and Chancellor Place. He was also a founder of Carematrix, the company that managed the Chancellor properties. Carematrix will not continue its management functions, according to Beth Derrico, a spokeswoman for the company.
Gosman, who made millions in real estate and healthcare, filed for bankruptcy in 2001, according to William King of Development Specialists
Inc., the Miami-based firm that was appointed by the court as trustee for Gosman’s assets.
His filing was cited as an example of a problem some legislators see with the federal bankruptcy system – the unlimited homestead exemption.
Sen. Herb Kohl, D-Wisc., told the U.S. Senate in March 2001 that Gosman, while owing as much as $233 million, was keeping a 64,000-square-foot mansion in West Palm Beach, Fla.
In his Maine business dealings, Gosman had guaranteed a mortgage taken out by the Chancellor company, with the two homes as collateral.
“The value (of the properties) was significantly less than the mortgage,” King said.
Rather than foreclosing on the homes, the lender agreed to cooperate in the sale of the properties and take the proceeds as partial payment of the debt, King said.
The change of ownership took effect March 1, bringing Chancellor Gardens and Chancellor Place in Saco into a company that already operates 12 nursing homes and rehabilitation facilities, six assisted living homes and four specialized hospitals in Massachusetts.
“This is our first step into Maine,” said David Calendrella, vice president of operations for Commonwealth Communities.
Last year Commonwealth bought two Massachusetts nursing homes from the same owners. “They proved to be quality facilities,” Calendrella said. That experience led to this recent deal.
“We’re very bullish on the Maine marketplace,” he said.
The company does not have significant plans to change things at Chancellor Gardens. “At the moment, the plan is to introduce ourselves as the new owners,” Calendrella said. No staff changes are in the works, he said. Everyone has signed on with the new owners.
Calendrella plans to pay close attention to hiring practices and employee supervision, in the wake of an employee’s February arrest on charges of stealing medication from several patients. He said the company would be open about any problems that might arise.
Alcohol on stage: What price the bottle?
An ad campaign now being broadcast on Maine television stations warns parents that they are misleading themselves about teen drinking. The Maine Office of Substance Abuse conducted a study of Maine parents, and compared the results with the annual Maine Youth Drug and Alcohol Use Survey administered in schools all over the state.
Over 80 percent of Maine parents, the study shows, believe their kids have " not had more than a few sips of alcohol in their life. " But 65 percent of teens say they’ve had " more than a few sips of alcohol. "
And nearly every Maine parent — 98 percent of them, in a survey with a four-percent margin of error — believe their child hasn’t had alcohol in the past month. But over a third of teens — 38 percent — have, in fact, consumed alcohol in the last 30 days.
Alcohol is a part of adult life, and a part of young-adult life, teen life. At a recent community meeting in Cape Elizabeth, a parent asked teens why they drink. The response — aside from the predictable silence — was a question: " Why do adults drink? " That answer was even more predictable: silence from the adults.
As life on stage reflects life off-stage, so does alcohol appear in both worlds. It may have started, as Andrew Sokoloff suggests, in the distant past. " The list of alcoholic playwrights is a long, sad, and honorable one, " extending as far back as Shakespeare, he says. Sokoloff is the artistic director at Mad Horse Theater and says " the use of alcohol on stage depends mightily upon the time the play was written and the time it’s produced. "
Alcohol, in short, is part of an accurate portrayal of life. " Good playwrights . . . put alcohol in their plays for many of the same reasons people in real life drink: to kill pain, to tell the truth, to have fun, to feel more alive, to feel closer to someone, " Sokoloff says.
Anita Stewart, artistic director at Portland Stage Company, agrees. " The theater is often a mirror of our culture, and in our society alcohol has played and continues to play a tremendous role. "
Recent examples of alcohol on Maine stages include True West at Portland Stage, in which both main characters got drunk, one to drown his pain when confronting society and the other to distance himself from the realization that his sheltered experience was not the raw stuff of life a movie producer wanted.
Straitlaced Austin behaved like the stereotypical drunk most commonly found in college freshman dormitories: Barely able to stand and slurring words badly, a man at the end of the night sits on the floor surrounded by empty beer cans, singing to himself. It is a means by which playwright Sam Shepard shows the audience the depth to which Austin has sunk, without actually having a character come out and say, " Gosh, Austin, you look awful. " The alcohol is a vehicle for communicating a message.
Over at the St. Lawrence, the Cast put on Pvt. Wars, in which the three characters drink frequently in an Army hospital. It is a sign of their growing camaraderie that, as the play progresses, first one man drinks alone, then another joins him, and finally the third man takes up a glass as well. The message? He has joined the group, become part of at least the hospital society again, and may be moving more toward " normal, " despite his deep physical injuries and evident psychological distress.
And, most recently, there was the bottle of alcohol used by a newly empowered woman, rejecting the traditional social anesthetic and choosing instead to use it as a weapon to overpower a death-crazed doctor in Carolyn Gage’s Thanatron, performed by Cauldron & Labrys.
Stewart’s choice for most memorable alcohol-related scene is in Betrayal and Emma, by Harold Pinter, in which " a smart, together woman " tells her lover she is pregnant, while drinking vodka. " In the ‘70s that was normal; now it is unimaginable. I wonder if drunken scenes will ever have that same bone-chilling effect on me, " Stewart says.
Alcohol has yet to carry the same moral weight as smoking, Stewart says. " We get tons of complaints if someone lights up, even briefly, on stage, but no one seems to be that bothered by drinking, " she says.
Teen issues are beginning to get some attention in local theater, especially with David J. Mauriello’s To Bear Witness at the Players’ Ring, in which a teen holds a gun while contemplating his friend’s suicide. I have yet to see a drunk teen character on a local stage; the numbers say it’s time.
BACKSTAGE
• Watch this space for the first glimpse of the 2003/2004 season at the Players’ Ring in Portsmouth. Scuttlebutt is that they have had proposals from a bunch of new playwrights, as well as a version of The Hobbit and several rarely seen classic plays. When the group makes their decision, " Backstage " will get the word out so you can mark your calendars.
• Room to move: The Theater At Monmouth (theateratmonmouth.org) has a few design and production slots open for the summer, and improv and sketch comedy group TRATCO is looking for one or two women to join the cast (no_stache@yahoo.com).
• Carol Noonan headlines a benefit concert for the Public Theatre in Lewiston March 29. Showtime’s at 8 p.m., tickets are $15. It’s a great way to support this excellent theater, which is now showing a play, Gun-Shy, exploring what happens if your divorce isn’t working.
• Props to Bonny Eagle and Biddeford high schools, who move on to the states after winning the Southern Maine Regional Drama Festival last weekend in South Portland.
Thursday, March 6, 2003
A parent’s green thumb: Bearing witness to the challenges of growing
It’s really just a baseball hat. A blue Boston Red Sox hat, always perched on Justin Rasch’s head, especially when he’s not acting. But this hat, belonging to a sturdy eighth-grader from Rochester, New Hampshire, now has a place in the script of a locally written play: To Bear Witness, by David J. Mauriello.
The hat could have started there; it’s quite common for teens to wear hats these days. But it’s just riding coattails to the top. Rasch is taking acting classes at Arts Rochester. When Mauriello and Chuck Galle were looking for someone to play a 14-year-old, that’s where they looked.
" Half the kids in the class tried out for it, " Rasch said. " The kid knocked me out, " Galle said. Even with such high praise coming from his director, his hat stayed the same size. " Sometimes I think I’m more excited about it than he is, " said his mother.
Her son really wants to star on Saturday Night Live, but you can see him before he makes it there, by spending an evening at the Players Ring in Portsmouth. Both Rasch and his drama teacher at home, Kate Kirkwood, play key supporting roles in Mauriello’s sixth play at the Ring.
It started as a screenplay in the late 1980s, after Mauriello read an article about teen suicide and decided to explore the issue in script form. Now a play, the show has 16 scenes, a throwback to its film roots. The suicide scene is gone, and the audience never meets Danny, the boy who has killed himself months before the play begins.
The hat has appeared, now an important device in the show, used to signal father/son communication and camaraderie. Words have been changed, whole lines revamped. Mauriello admits he has a melodramatic tendency with dialogue, and while it remains throughout, it has been tempered by the cast, who made many suggestions. " I’m rewriting as I’m watching rehearsals, " Mauriello said before the play’s run began.
The actors tried out a lot of different angles in practice, to see how they worked or if they failed. " We don’t talk about having an affair. We’re all over each other on stage, " said Kirkwood (playing Diane Putnam) of her interaction with Frank DeMarco (played by Al Vautour).
The play is about nurturing roots and connections, between friends, neighbors, family. It contrasts 1980s ideals of success — money, power, domination — with those beginning to take hold in the 21st century — love, trust, respect. The characters are all very human, with honest differences separating them and deeply personal needs pulling them together.
Frank’s bizarre physical intimacy with nearly every character in the play springs from his need to connect with people. As a landscaper, he knows how to nurture plants, healing them and bringing them to their full, blossoming potential. With human beings, however, he is stuck.
As a father, husband, boss, and aspiring politician, he both resents and is mystified by others’ successes. His weakness is his son, from whom he desperately wants love, but who sees through the bullshit to Frank’s cheating heart.
The play walks the line between preaching and showing, and raises powerful questions about parenting. As Helen (played by Denise McDonough) notes, parents have a monopoly on their children, but only as long as there is truth and honesty between them. When those are lost, so are the kids.
A strong, old tree and a brand-new sapling are the metaphors for what Frank wants in his life and what he has. At a crossroads, he must choose to let the sapling die or revise his priorities to keep the tree alive. " He’s thrown everything in, " Kirkwood said of Mauriello’s writing, which includes a brief scene of heady philosophy as well as more botany than most stage productions.
Parents who are trying to keep strong connections as their kids grow up should see this show, which will cause them to step back and re-examine the priorities and assumptions behind however they choose to raise their offspring.
The cast, and their characters, are laid out as plants, needing love, honesty, and attention to flourish: The weed is expelled from the flower bed and the myriad not-quite-misfit plants that had been on the edge of the garden are brought together in a quiet, simple, and pleasing conclusion.
" I hope, " said Mauriello, " the audience is going to feel all of my characters have grown."
To Bear Witness
Written by David J. Mauriello. Directed by Chuck Galle. With Justin Rasch, Al Vautour, Denise McDonough, Paul J. Bell and Kate Kirkwood. At the Players Ring, Portsmouth, through March 9. Call (603) 436-8123.
BACKSTAGE
• Word is the soldiers over at the St. Lawrence, busy putting on Pvt. Wars, are getting lonely. It’s a fabulous show, and they’re there through March 9. Support the troops!
• Portsmouth screenwriter Nancy Grossman is a playwright on the verge of seeing the fruits of her first stage play, Therapist on the Verge. She’ll get her chance when it is read aloud at the Rice Public Library in Kittery, at 7 p.m., March 11.
• The Theater Project’s Al Miller corralled a group of fourth-, fifth-, and sixth-graders into performing a bilingual acting/singing show, Rose in Red, using traditional French folksongs. It created a lot of interest and plans to do a full bilingual show are in the works.
• Maybe Miller was warming up for the upcoming revision of his musical Matching Shadows with Homer, put on last year and set to reopen March 14, with some new writing, music, and a few new faces on stage as well.
• Camden playwright Robert Manns has several plays being produced in the next couple of months in the Belfast area. Get out the binocs: Wildlife and the environment are characters in some of his work.
Wednesday, March 5, 2003
Viking to see $1 million in renovations
The Viking and Crescent House in Cape Elizabeth will see up to $1 million in renovations in the coming months and will be upgraded to become what its new owner calls “the facility of choice” in the area.
Ray Termini, president, CEO and owner of Haven Healthcare of Cromwell, Conn., met with Viking staff last month to announce the change of management. Haven has a consulting arrangement with the Viking pending state approval of a certificate of need for the change of ownership.
When the approval is complete, three to six months after the application is submitted, Haven will take over management from Duane Rancourt Sr., the current co-owner and administrator of the nursing home.
The certificate of need application has not yet been filed.
As of this month, Termini told the Current, Haven is operating 26 nursing homes throughout New England, with 3,200 patients and a similar number of employees.
Of those, four homes in Connecticut and one in Vermont have had more than one situation where residents were either subjected to “actual harm” or “immediate jeopardy,” since Haven took over management, according to federal documents and information from the Connecticut Department of Public Health.
Each affected one patient or a small number of them, and each has been rectified. Termini told the Current all of his facilities are in compliance.
Two of the problems found by Connecticut inspectors in May 2002 at Haven Health Center of New Haven are representative of the problems.
One patient was given only one-fourth the prescribed amount of a medication. Another resident was not properly restrained or attended while in a shower chair, resulting in the resident “almost falling out” of the chair, and suffering two scrapes on the head.
The nursing home was fined $600 by state authorities. Upon inspection in August 2002, the nursing home was found to have corrected the problems.
The Viking had much more serious problems prior to Haven’s arrival on the scene. In August 2002, Viking resident Shirley Sayre, 77, wandered out of the nursing home and drowned in a culvert across the street. As the family mourned, Viking was hit with an “immediate jeopardy” citation and over $30,000 in fines.
Money tight
Those fines came at a tough point for the nursing home, which faced running out of money by November.
State reimbursements for Medicare were late, and the company faced the tough choice of paying creditors or meeting payroll.
In a time when nursing homes are feeling financial pressure, Termini said Haven succeeds by making their nursing homes more attractive to residents and families than competing facilities.
Most nursing homes, he said, have 10 percent of their patients on private payment, 10 to 12 percent on federally funded Medicare payment and the rest on state-funded Medicaid payments.
Many are also not near full capacity, resulting in overhead costs with no revenue to make up for them.
Medicaid does not pay the full amount for services, forcing Medicaid-dependent homes into financial ruin, Termini said. Medicare pays $315 per day, while Medicaid pays $130 per day, no matter the services a patient requires.
Haven solves the problem by attracting higher-paying customers, and by making sure its homes are full.
“The only way to survive is to decrease dependency on Medicaid,” Termini said. Haven homes have 96 percent occupancy and over 30 percent non-Medicaid patients, he said.
Just that additional margin is enough to make the difference between a successful nursing home and one that is in trouble, he said.
Termini said attracting higher-paying residents takes work and said he will begin renovating the buildings as soon as he takes ownership.
New look, new faces
Resident rooms will get all new surfaces, including paint, flooring and window dressings, as well as electric beds, according to Patrick Keaveny, regional vice president for Haven Healthcare, who will be overseeing the renovation.
Gathering areas also will be renovated, with a new fine-dining area planned for what is now a “sunroom” space, and a bistro area in the assisted-living facility, Keaveny said.
A lounge area, corridor and office space will be converted into a large physical therapy, occupational and speech therapy room.
To staff that room, Haven will be hiring a new physical therapist and assistant, an occupational therapist and assistant, as well as a part-time speech therapist.
To get new blood into the rest of the staff, Keaveny plans to send recruiting mailings out to all the nurses in the area.
The changeover will not involve layoffs, however. “Everybody that has a job (at the Viking and Crescent House) is going to be an employee of Haven Healthcare,” Keaveny said.
All of this is dependent on state approval. While the certificate of need process is usually used for constructing a new healthcare facility, it is also used for transferring ownership, according to Cathy Cobb in the Maine Department of Human Services.
The process determines whether a company is “fit, willing and able to run a nursing home,” she said, and also makes sure costs to the state-funded Medicaid program will not increase.
The process involves an application, an initial hearing and then a public hearing and then a review of the application and any additional information, Cobb said.
Regulators look at the organization applying for the certificate, its financial plans and
the quality of care it provided elsewhere.