In the name of love: Parents should listen to children

Published in the Portland Phoenix

The busy streets of Chicago are broken by automatic gunfire as Romeo and Juliet opens, in this 1920s-Chicago version of the classic love tragedy. It’s the Children’s Theatre of Maine, but this production is for kids 10 and up. A mother and baby are among the first to fall as the Montague/Capulet feud heats up.

The story line is familiar: Teenagers fall in love, without obeying the constraints of social or family repercussions. Each must hide true feelings from adults, who will use logic to quash that which is purely emotional. The grownups, determined to have their way, make unreasonable decrees — at least by today’s standards — and force the hands of the lovers.

All the while, teenagers’ proclivities to make bad choices result in serious consequences for Romeo, and a sympathetic counselor must devise a complex scheme to rescue young love from adult rage. In one of Shakespeare’s classic twists, a vital message is not conveyed, ripping tragedy from the jaws of joyous reunion.

These actors — mostly teenagers themselves, or in their early twenties — know well both the fictional story and its real-life themes. Julie Civiello, who alternates with Alex Brinkman-Young in the role of Juliet, is sensitive and strong in the role of the 14-year-old lover, whose father thinks her too young to marry, until he meets the "right man" for her. Who is, of course, not Romeo (Mark Friedlander) but Paris (Adam Gutgsell), a powerful nobleman and friend of the prince of Verona.

Civiello reaches deep into her own heart, tugging at Romeo and the audience as she struggles between love and duty. The balcony scene is sweet, earnest, and loving, though tinged with the despair of those who know they must oppose their parents’ will.

It results in a beautiful mimed wedding ceremony with soft lighting giving the couple their moment amid the chaos of the family feud. The music and lights throughout the production add to the ambience, including a swing-dancing masquerade ball at which Romeo first truly meets Juliet.

The supporting cast is generally strong. Mercutio (Brian Hinds) and Juliet’s nurse (Shannon Campbell) are wonderfully ribald, playing to the base elements in the audience, even as the web of sorrow draws nearer about them. Some of the lines are hard to hear, however, either because they are spoken too fast or because of the acoustics in the Children’s Theater space.

Chris Gyngell (as Romeo’s kinsman and friend Benvolio) speaks too quickly for any of his lines to be comprehensible. It is a sad casting choice, for his devotion to Romeo is one of Shakespeare’s great friendships.

The choice of this play is bold, dealing with adult and teen themes together, mixing no small amount of violence, both physical and emotional. And yet, these are important issues today, as they were in Elizabethan times.

Parents still strive for what is best for their children, even as those children redefine their own dreams. Youthful rebellion can lead not just to adult-feared failure but also to child-hoped success, or at least a valuable lesson learned. Adults and children should communicate more openly, not hiding behind preconceived ideas or latent fears. The real burden of this falls to the parents, who must create an environment of open, loving honesty, not a charade of fear and obedience.

As a reminder stands Shakespeare: With young lovers poised on the brink of their future together, adults and the stars conspire against them, bringing all to grief.

Romeo and Juliet
Written by William Shakespeare. Directed by Pamela DiPasquale. With Mark Friedlander, Julie Civiello, Alex Brinkman-Young, and Brian Hinds. At Children’s Theatre of Maine, through Jan. 25. Call (207) 878-2774.

Backstage

• Carolyn Gage’s one-act Calamity Jane Sends a Message to her Daughter won the Boston Play Slam, on January 13. The audience chose the single-actor short play as the best of the lot. It was performed by Leslie Bernardini, who had also performed Gage’s play The Parmachene Belle in an off-Broadway festival early in 2003. Gage is raising money to bring both shows to Portland.

• Another reason to head to Mad Horse’s production of The Bacchae in mid-February: The Portland Stage Studio Theater expects to have new seating! In six months of fund-raising, actors and others put together $2100, enough to buy 50 new chairs, leaving 35 old chairs still to be replaced, at a cost of about $1500, plus shipping. Be sure to thank the cast and crew of The Food Chain and Wicked for their efforts.

McKenney running for state Senate

Published in the Current and the American Journal

Paul McKenney of Scarborough, who recently moved to town from Cape Elizabeth, is running for state Senate as a Republican and hopes to challenge Democrat incumbent Lynn Bromley in November’s general election.

He does not know of any other Republican running for the seat, which represents Cape Elizabeth, South Portland and part of Scarborough, but may have to face a primary runoff in June if any others put their names in.

McKenney calls himself a “moderate Republican,” saying he is “pro-environment, pro-jobs and pro-family,” and wants Maine to “be more fiscally prudent.”

McKenney will be running a “clean campaign” under Maine’s clean elections law, which requires him to get 150 people to donate $5 to his campaign. In exchange for agreeing not to accept large donations from private supporters, McKenney gets access to state funds to run his campaign. If he is opposed in both a primary and the general election, he could get as much as $23,000 in state funds, plus additional money if his opponents spend more than his limit.

“I am running because of what I see happening in the state of Maine, and I want to make a difference, and I know I can,” he said.

“I’ve always had an interest in public service,” he said. “I’ve served the public for many years in the military.”

He is now co-owner, with his wife, and president of Dirigo Financial Group, a financial planning company in Cape Elizabeth. McKenney is also a major in the Maine Army National Guard. He served nine years as an Army aviator and has been in the Guard for six years.

He has military and civilian university training in leadership and management and is active in the Pine Tree Council of the Boy Scouts of
America, Rotary and the Greater Portland Chamber of Commerce.

He wants to improve Maine’s business environment and lessen the tax burden.

“It should not be an arduous task to open a business and to run a business,” he said. In particular, businesses often have to fill in several state-required forms with the same information going to different agencies.

Making Maine friendlier for business will help the state’s finances even as it helps residents.

“You cannot tax your way into prosperity. You have to grow your way into prosperity,” he said.

Town and state spending are raising coastal property taxes “without consideration for the people who have been there for decades,” he said. “We’re driving these people right out of their family homes.”

McKenney has a general guideline: “Every time we pass legislation we need to keep in mind Maine families,” considering how laws affect workers’ ability to earn a living.

He also has some specific ideas: “I think our tourism industry could grow 10 times,” he said. The state should spend more money promoting tourism, because money tourists spend stays in the state.

State program spending should focus on areas where dollars are proven to yield results, such as early childhood education.

The state should not spend money on building schools in towns with small growth and should consider privatizing some services.

“It’s not the public sector’s job to do everything for everybody,” McKenney said.

Another way to save money could be the impending retirements of many state employees, he said. As they leave, the state should analyze the services it provides and “realign these jobs, realign these departments,” without laying people off.

The Republican county caucus will be held Saturday, Feb. 28, at Southern Maine Community College. If there needs to be a primary, the vote would be held in June.

Maine RX Plus launches amidst protest

Published in the Current and the American Journal; co-written with Kate Irish Collins

Despite a much-hailed launch, a new state prescription drug program called Maine Rx Plus is not getting support from three pharmacy chains in Maine.

RiteAid, Community Pharmacy and CVS are not participating, saying Gov. John Baldacci asked them earlier this month to accept a reduction in state administrative fees and is now asking them to voluntarily cut prices of prescriptions.

Hannaford and Shaw’s, through their pharmacies, are participating in the program, which will allow low-income people to get reduced-price prescriptions when they present a state-issued card.

Wal-Mart has not made a formal decision about the program, but a pharmacist at the company’s Scarborough store said that if someone arrived with a card, they “would likely honor it.”

The program was launched last week by Baldacci, state legislators, the attorney general and activists interested in the issue. The governor hailed the program as making Maine “a leader in bringing lower-cost drugs to our citizens.”

Cardholders will be eligible for 10-25 percent discounts off brand names and 60 percent off generic brands for a wide range of drugs that are also listed as preferred drugs in the state’s Medicaid program.

Discounts became available on Saturday.

Pharmacies participate in the plan voluntarily and can opt not to honor the cards. RiteAid, Community Pharmacy and CVS objected to a proposal in which the Medicaid program would cut pharmacy administrative fees 40 percent. The companies said they will “consider” participating in Maine Rx Plus if the governor withdraws the proposed cut, which they termed “devastating.”

Prescription drug costs have long been an issue in Maine. After the Maine Rx program was challenged by federal regulators and then upheld by the U.S. Supreme Court, state officials reworked the plan.

“We have reconfigured the program to meet federal concerns, to integrate it with Drugs for the Elderly and to make it ready to coordinate with the new Medicare drug benefit when that program starts,” Baldacci said.

Maine Rx Plus will also use its volume to negotiate discounts from drug companies “later in the year,” he said.

House Speaker Patrick Colwell added, “Maine Rx Plus will negotiate lower cost prescriptions for Maine seniors and working families by using our buying power as a state. The Medicare bill Congress recently passed takes the opposite approach by forbidding the federal government from negotiating prices.”

“Until the federal government allows the bulk reimportation of prescription
drugs,” said Rep. David Lemoine, a member of the National Legislative Association on Prescription Drugs, “Maine’s Rx Plus model is by geography and price the nearest thing to Canada.”

To be eligible, individuals must earn less than $31,440; for couples it is $42,420. For a four-person family, the cutoff is $64,400. Program enrollment will be phased in. Maine Rx Plus cards will be sent automatically
to 73,000 Maine residents, who had participated in the now defunct Healthy
Maine program, which was halted by the federal government in December 2002. Others who may qualify can apply for a card by calling 1-866-Rx-Maine (1-866-796-2463).

Legislature to debate slots at non-profits

Published in the Current and the American Journal

Local lawmakers who voted in June to allow slot machines at VFW halls, Eagles lodges, and other veterans’ and civic organizations may be changing their minds.

In a June 3 vote on a bill that could come back to the Legislature as early as next week, all of the local Democrats in the Maine House of Representatives, and half of the local Republicans, voted in favor of installing up to five slot machines at veterans’ halls and lodges of nonprofit civic organizations.

The machines would accept a maximum bet of $5 and make maximum payouts of $1,250. Of the money the machines took in, 80 percent would be
returned to bettors, who would have to be over 21 and either members or guests of the organization – not the public.

Of the rest of the money, 75 percent would go to the organization hosting the machine, 2 percent would go to a statewide problem-gambling treatment fund, 2 percent to state regulatory expenses and the rest would be divided between statewide revenue sharing and payments directly to the town hosting the machines.

How they voted
Voting in favor were Janet McLaughlin, D-Cape Elizabeth, Larry Bliss, D-South Portland and Cape Elizabeth, Chris Barstow, D-Gorham, Ron Usher, D-Westbrook, Bob Duplessie, D-Westbrook, Louis Maietta, R-South Portland, Gary Moore, R-Standish, and House Republican Leader Joseph Bruno, R-Windham and Raymond.

Voting against it were Kevin Glynn, R-South Portland, Harold Clough, R-Scarborough and Gorham, Philip Cressey, R-Casco, Naples, and Sebago, and David Tobin, R-Windham. Darlene Curley, R-Scarborough, was not present for the vote.

Now some who voted in the favor of the slots are changing their minds.

“My position right now would be against any expansion of gambling,” said Barstow. Saying he had learned more about the gambling industry and heard more from constituents since June, “it’s best that we try to cut back gambling,” not expand it, he said.

Usher said he didn’t know why he voted to allow slot machines at veterans’ halls and lodges for other civic organizations in June and didn’t know how he would vote if it were included as part of new gambling legislation this session. “I want to get some more details on that,” said Usher.

He did say, however, that he was concerned that with the new smoking ban in bars, bar patrons may already be headed for halls and lodges of civic organizations.

Adding slot machines would be another draw to bring people into those establishments.

“What a change in environment,” said Usher. “Are we getting minicasinos?”

Duplessie said he had not changed his mind and still supports regulating slots at the organizations. With over 1,000 illegal slot machines operating in the state, he said government should regulate them and get a share of the take. “People are going to gamble,” he said.

Bliss said he did not recall the June vote, and would have expected himself to vote against it. (A House roll call shows him supporting it.)

Bliss said he would oppose the issue now. “I don’t think slot machines are the answer,” he said. “Economic development doesn’t come from slot machines.”

Glynn, who voted against it in June and said he would do so again, remembered the June vote and the 90-minute debate on the issue that preceded it. He was surprised that some legislators said they didn’t remember. “Any bill that comes out as a divided bill that we debate, I know how I voted,” Glynn said.

Back before committee
The bill passed the House by a vote of 84-53, and went to the Senate, which did not take a vote.

Instead, the Senate sent it back into a legislative committee to review after the statewide Nov. 4 racino and casino referendum votes.

Now the Legal and Veterans Affairs Committee, which has jurisdiction over gambling legislation, is sending the proposal back to the House.

The changes could allow slot machines at veterans and non-profit organizations, as well as off-track betting parlors, while simultaneously regulating slot machines at harness racetracks. The changes could also consolidate regulations on high-stakes bingo, beano and the state lottery, according to Rep. Moore, the ranking minority member of the committee.

The request for slot machines came from veterans organizations and other civic groups, Moore said. “Usually, there’s not a lot of agonizing when, for whatever reason, a veterans group comes forward and asks for something.”

The groups pointed out their civic activities and told the committee they needed more money to do more work.

“Basically, they were saying, ‘we’re dying off because of old age, and we need a new revenue stream,’” Moore said.

He supported it in the committee and in the House vote, in part, because “there are a lot of places that it’s already happening.”

Gaming already exists
Maine State Police records indicate that 14 organizations have licenses to operate bingo, beano and other games of chance – including video poker. Most of them are for bingo or beano, though state records don’t differentiate between types of licenses.

Westbrook’s 32 licensed organizations include the Holy Name Society, granges, Knights of Columbus halls, veterans organizations, sports boosters, Little League and the fire department.

Windham’s eight licenses are held by the Rotary Club, three fire companies, the Lake Pine Association, the Lake Region Eagles, Maine Junior Chamber of Commerce and the Msgr. William Cunneen Knights of Columbus.

Scarborough’s 14 licensed organizations include the VIP Bingo hall on Route 1, as well as Bayley’s Camping Resort, the Higgins Beach Association, St. Maximilian Kolbe Parish, the Scarborough Chamber of Commerce and the Scarborough Athletic Boosters.

A license for the Loyal Order of Moose to operate a game of chance called “pull tabs” was approved by the Town Council Nov. 19, but has not yet been sent to the state, according to Moose lodge administrator, Bob Lerman.

The game involves tickets similar to scratch lottery tickets, but instead of scratching to win, you peel back a perforated tab to uncover the results. The Moose would use the roughly $800 it would make for every 4,000 tickets sold to add to their charitable donations, which total about $6,000 a year, Lerman said.

Glynn, who also serves on the Legal and Veterans Affairs Committee, fears allowing the slot machines will create “little minicasinos of up to five slot machines per establishment.”

He said the state law would prevent towns from increasing regulations after the law passed. Town councils will have to approve the slot licenses the same way they now approve liquor licenses, but organizations will be able to appeal to a state regulator if the town denies a license. That would effectively allow the town’s decision to be overruled.

“A town would have to preemptively block it,” Glynn said. “If towns do nothing and this law passes, they will have slot machines.”

Look up: And see what's going on in the air around you

Published in the Portland Phoenix

Victims of domestic violence are in your neighborhood, possibly even next door. We picture them in urban settings, poorer families, where alcohol or drugs are problems. And the victims are there. But they are also in more affluent communities, suburban neighborhoods.

Why do we have the picture we do? Because "the majority of times the cops show up, it’s not the wife who calls," says Michael Cruz, a USM sociology professor who studies domestic violence. Someone else overhears the altercation, and calls for help. Suburbanites buy "peace and quiet." If they’re abusers, they also buy privacy — nobody to overhear the screams, the crashing furniture.

Let’s think about a few numbers — just briefly, I promise. According to people who know these things, 60,000 women in Maine are victims of domestic violence. That’s one in 10 women.

Pictured another way, if you’re in a supermarket line on an average evening, picking up a few things before heading home, you would hear between three and five voices pipe up if you called out, "anyone here been abused at home?" That’s if you had the courage to ask and they had the courage to answer, of course.

Mostly likely, though, you wouldn’t hear a sound. Like Elysia (Tara Smith) in Sean Demers’s new play Dreams of Elysia, victims are scared to speak up. And it’s our fault — yours and mine.

After a recent performance of the play, a group of panelists held a discussion with the cast and audience about domestic violence. On the panel were several local experts in studying the problem or helping victims. In the cast, at least one abuse victim (he openly discussed it). In the audience sat another, near tears as she described her upper-middle-class upbringing, learning only later in life that she and her mother and her siblings had all been abused. She asked the experts why her mother wouldn’t leave.

The most revealing answer was not their explanation, saying it’s often the abuser’s brain-washing, telling her no one will believe her. It wasn’t even the play’s beautiful illustration that love is present in abusive relationships, tying victims’ hearts to their tormentors, giving them hope that things will change, as all lovers dream of Elysium.

The best answer came from Michael T. Toth, who played James, the gone-but-not-at-all-forgotten domestic abuser in the play: Society tells women it’s disgraceful to be in an abusive relationship. We say, tacitly or even directly, "You should be strong enough to walk away."

Battered in body and spirit, these women are not as strong as we righteously demand. Most of us don’t say to them, "I will help you be strong enough to walk away." Instead, when they start to come clean to the world about the nightmare they live in private, we blame them into further silence.

No wonder nobody in the supermarket answers your call. They’re all expecting you to abuse them further. "You knew it would happen again," you’ll point out, unwilling to listen to their explanation that maybe they did, you’re right, but they also hoped it wouldn’t. They hoped the magic moments would return, when he was happy and loving and kind, like it used to be, like it still sometimes is.

Demers, a young playwright finishing a theater degree at USM, expanded the play from a one-act. "When I first wrote the play, [domestic violence] was kind of this subtext," he says. During revision, "it became clear that domestic abuse was more than just a subtext. It was the driving force."

Elysia’s relationship with James is over, but not gone. ("Battered women are always looking over their shoulder," says a crisis counselor.) And in fact, there he is, on the stage, as Elysia tries to break free, seeking a new life, rebirth.

When they fall in love, she learns, two people surrender control to each other. "The control is just waiting around to be picked up," a character says. Sometimes one of the pair picks up too much, and is able to use love as a weapon. This is abuse.

Elysia re-establishes an old friendship, tries to avoid the helping feelers from society, in the form of a condescending, superior nurse (Marita Kennedy-Castro) who offers a way out.

But she stays in the apartment she shared with James for eight years, its battered furniture, askew doors, and picture frames silent witnesses to the maelstrom. And she visits him in the hospital, where she reprises her weak, supplicant role, even as he lies unconscious, unable to move or speak.

Elysia tells Anna (Erika Silverman) a little bit about her abuse, but like the others in the supermarket lines, is silent when questioned directly. Even when she meets Isidore (his nickname is better: "Izzy," or "Is he?"), she is subdued. Demers’s dialogue gets at the root of the issue, probing and stretching to show the audience how far Elysia will go to avoid truth.

Perhaps the best review of the play came from a member of the audience, who talked about her concern over the issue, but her wariness of being forced to look too closely before she is ready. This play, she said, allows communication and connection between audience members and victims — allows people to see into that world — without being uncomfortable.

"I would like a lot of people to see this," she said.

Dreams of Elysia
Written and directed by Sean Demers. With Tara Smith, Caleb Wilson, and Michael T. Toth. Two Lights Theatre Ensemble, at the St. Lawrence Arts and Community Center, through January 17. Call (207) 839-9819.

Backstage

• On the night of January 16, the youth theater ensemble at the Schoolhouse Arts Center at Sebago Lake, will perform Ayn Rand’s Night of January 16th, a courtroom drama in which the audience plays the role of the jury. Call (207) 642-3743 for tickets to the performance, by young actors, aged 10 to 20. (It will also be performed the night of January 17.)

• The Schoolhouse folks are also looking for actors who want to be in a new group of daytime actors, to rehearse and perform during the day for senior and community groups. All are welcome, "if you are old enough to vote and have a sense of humor." If you’re up for it — and can be awake in time for 10 a.m. rehearsals, call Gayle Clarke at (207) 892-4461.