I carry a copy of Maine’s Freedom of Access Act in my pocket. It’s not only useful as a reference when dealing with government officials who want to hold on to information I or my newspaper would rather they set free, but it’s an excellent reminder of how to approach government officials: with the attitude that they work for us, that their records are our records, and that their business is our business.
Thursday, July 6, 2006
Fighting for freedom: You are the key to government openness
I carry a copy of Maine’s Freedom of Access Act in my pocket. It’s not only useful as a reference when dealing with government officials who want to hold on to information I or my newspaper would rather they set free, but it’s an excellent reminder of how to approach government officials: with the attitude that they work for us, that their records are our records, and that their business is our business.
Thursday, June 15, 2006
Seeing red: Center for Cultural Exchange’s books out of balance
The Center for Cultural Exchange is in more serious financial difficulty than anyone outside the organization may realize, and is likely to shift its focus away from its past efforts to bring relatively unknown, but culturally significant, performers to Portland for shows with low ticket prices. What will come instead is anybody’s guess, but it will be less expensive to put together.
The news that it would sell its building just four months after vowing to remain in its landmark Longfellow Square home is just the tip of the bad-news iceberg. Even more troubling is a look at the group’s tax returns, which are public records because of the group’s nonprofit status.
The returns show that since at least 2002, the center’s managers have been spending far beyond the center’s revenues. Board president Jay Young and center co-founder James “Bau” Graves say this was because grant money is hard to come by. Graves, who left in December 2005, says it got harder in more recent years as governments cut back on funding for social-service agencies, forcing them to seek donations from the same individuals and foundations that had long funded arts and cultural groups.
The tax records show, however, that revenues weren’t the problem: income was largely flat from 2002 to 2004, even as the center’s spending increased 12 percent during those years. By 2004, the most recent year for which tax records are available, the group’s operating deficit was $188,390.
Young says 2005 “wasn’t great, either,” and acknowledges that while “various substantial grants from national grant-making organizations came to an end ... even with that level of support we had trouble breaking even.”
Rather than cutting back on expenses, the group’s “budgets were optimistic,” Young says, based in part on the past success of co-founders Graves and Phyllis O’Neill at landing significant grants from national organizations. “Though ’04 and ’05 we continued to apply for similar grants,” but when, “for whatever reason, they just didn’t come in ... we just didn’t adjust our budget as quickly as we should have in hindsight,” Young says.
Grant-revenue plans were supplanted by “plans that assumed more success in local fundraising” than actually occurred, and when the losses kept mounting, the center kept covering its costs. “We’ve borrowed out the equity in the building” by taking money from the endowment in exchange for additional mortgages on the building, Young says.
“The idea of what an endowment can be used for has changed” over the years, says Michael Nilsen, public-affairs director for the Association of Fundraising Professionals, a national organization promoting responsible stewardship of money donated to charities. “Typically an endowment is for a particular purpose,” and using that money for another purpose might violate the goals the money’s original donors had in making the gift. But Nilsen says that if the board talked about the decision — which Young says they did — and agreed the risk of never getting back the money being taken from the endowment was acceptable given the circumstances (including, in this case, a mortgage to the endowment), it “might pass the test,” though he cautions, “I don’t think it’s necessarily a practice that charities should be doing all the time.”
How much the mortgages total, “I don’t want to say, since we’re trying to sell the building,” Young says. But once the building sells, there will be “liquid assets, in the tens of thousands of dollars,” and an endowment back at its full strength of $280,000, which Young notes is still small for an endowment.
The building, bought for a song in the mid-1980s — Graves recalls it being either $65,000 or $67,000 — had about $1 million in improvements done, he says, though it’s now on the market for $735,000.
Back in February, when the group announced it would keep its home, executive director Lisa DiFranza says, the prevailing wisdom was “that we could sort of blast through” and make it through the rough patch. Now, after a few months to look over the books, she believes selling is the right move.
The operation has always been supported primarily by grants and donations, with never more than 20 percent of its annual revenue coming from ticket sales, but in 2004 things were particularly bad: ticket sales were not enough to cover either the salaries of the permanent staff (co-founders Graves and Phyllis O’Neill and financial manager Bev Dacey) or the operating deficit, the amount spent above revenue. Young says ticket revenue, even though prices were cheap to ensure people could afford to come to shows, is “way low for an arts-presenting organization.”
Graves, who left the center a few weeks after the 2004 tax filing was completed, says the financial picture was not part of his decision to depart.
Young says the board is “moving in some new directions,” away from the “concert-oriented” approach of Graves and O’Neill, which he calls “pretty esoteric, unique programming” that brought largely unknown performers to the city, where “there isn’t a built-in audience.”
When “trying to build an audience,” and setting low prices, “we just need a heavier subsidy” from local and national sources, from whom “it’s really just impossible to raise that money.” Even if the place sells out, the center’s auditorium holds just shy of 200 people, which at $20 a ticket — which was high in the center’s heyday — only brought in $4000.
Former executive director Lisa DiFranza, whose transition to a consultant role comes as a result of the lack of money to pay her a full-time salary, also describes the center’s previous model as “not a viable option.”
Because the group was mostly self-contained, not operating as a vehicle for funding other arts or culture organizations in the area, the damage will be limited, but Portland will lose a venue that was home to performances as diverse as Celtic-music stars Altan, African-style dancers from Harlem in concert with Maine gospel singers, and fashion shows of international traditional dress. The group also organized performances and events at other venues, including the Festival of Cultural Exchange, bringing together local and international artists and performers along Congress Street in 2004 and 2005.
Young is direct in saying that the center “can’t afford to run promoter’s risks,” the term for what non-show-biz folks call “you book some act and you hope the tickets sell.”
So there will be fewer shows, if perhaps any at all, for the time being — DiFranza notes it is likely the center will be entirely without a space for some unknown length of time — but Young expects the center will work with other promoters and community organizations to “support local immigrant and ethnic communities.”
The building has generated some interest, with “a couple people” taking tours, but no formal offers yet, Young says. He also says the group has recommitted to spending within its means, whatever those may be. “We’ll come out of this in financially solid shape,” he says.
Thursday, May 11, 2006
George vs. George: Compare and contrast
President George W. Bush is the third man named George to hold the head office of our republic, after his father and George Washington. That makes him, effectively, President George III. The last time our country was ruled by a George III, the American colonists undertook a years-long bloody struggle to overthrow him. Let’s compare and contrast today’s George with the one we got rid of in 1782.
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He ran up the national debt far beyond the country’s ability to pay, spending millions on occupation of faraway lands (the American colonies in particular), on entangling wars (against France and Spain), and in government subsidies to major corporations (especially the East India Company). | H e ran up the national debt far beyond the country’s ability to pay, spending billions on occupation of faraway lands (Iraq and Afghanistan in particular), on entangling wars (against Iraqi insurgents and the Taliban), and in government tax breaks and overpayments for services to major corporations (especially Enron and Halliburton). |
He turned over administration of a vast Asian country to a private company. (India was overseen almost exclusively by the corporate officers of the East India Company.) | He turned over logistics support and some administration of a vast military operation to private companies. (Halliburton and Kellogg, Brown & Root are the major operators of US military bases and outposts around the globe.) |
He was roundly criticized by political opponents for attempting to expand the authority of the monarchy well beyond its traditional role. | He was roundly criticized by political opponents — and members of his own party — for attempting to expand the authority of the presidency well beyond its constitutional role. |
He donated thousands of books to the public, to start a national library. | He instituted (then failed to fully fund) an expensive, overarching, nationwide education-reform plan, which has yet to show any positive results. |
He was a serious student of science, including having his own astronomical observatory. | He often rejected scientific arguments in favor of religious or ideological beliefs, even as he increased funding to the National Science Foundation. |
He was very interested in agriculture, and was called “Farmer George” for the time he spent on his royal estates. | H e did a lot of brush clearing on his ranch in Crawford, Texas, during his “vacations” and “working holidays” there. |
He took a strong interest in government-policy debates, and had a sometimes-heavy hand in their outcomes. | His orders and those of his deputies were often invoked to “edit” scientific reports issued by government agencies, to remove information that would support ideologies other than those held by the White House. |
He was blamed for things, like the Stamp Act of 1765 and the Townshend duties of 1767, that Parliament supported, undertook, and enforced, even though they were not always his ideas. | He was blamed for things, like the US refusal to join the Kyoto Protocol, that Congress supported and undertook on its own. |
He paid for the founding of the Royal Academy of Arts. | His budgets, even after cutbacks in Congress, have increased funding for the National Endowment for the Arts. |
He did not learn to read until age 11. | He bragged about being a C student while at Yale University. |
He imprisoned political opponents andfree-speech advocates. | His administration imprisoned American citizens without trial and investigated journalists for discovering inconvenient truths about his government. |
His administration redefined the laws of treason to better control political opponents. | H is administration redefined the laws of national security, freedom of information, and terrorism, and then used them to spy on and manipulate political opponents. |
He was eventually deemed mentally unfit to rule, by reason of insanity. | Nothing official yet. |
Sources UK Government History; BBC; Spartacus Encyclopedia of British History; Associated Press reports; US federal records.
Wednesday, May 10, 2006
Searching themselves: New book recounts the hunt for a woman and her killer
The authors of Finding Amy: A True Story of Murder in Maine had no way of knowing their book about the search for Amy St. Laurent, who went missing, as the news reports ominously intoned, “after a night out in the Old Port” in 2001, would come out at a time when the Portland City Council was talking about how to control the nightlife in the city’s busiest district.
They didn’t know that it would come out just a few months after the Old Port disappearances of two other people — one of whom, Lynn Moran, was later discovered dead of no apparent foul play in the water near the Portland ferry terminal; the other, Siphat Chau, is still missing.
Joseph K. Loughlin, who is credited on the book’s cover with his former rank of captain (he is now a deputy chief of the Portland police), and Kate Clark Flora, a former Maine assistant attorney general, don’t directly address the issue of partying in the Old Port, but their book offers a law-enforcement officer’s view of Wharf Street.
After a lovely description of the Old Port — “a mecca for tourists, who . . . flock to the interesting shops and restaurants” — even Flora’s prose gets shrill: “At night, it also becomes a destination for another crowd. . . . Underage teens looking for life beyond the empty streets of their small towns rub elbows with bikers, college students, drug dealers, gangsters, and young professionals. Fights are common. Crowd control is a perennial problem, especially late in the evening as the bars and clubs close, releasing thousands of patrons who are drunk, rowdy, and uninhibited onto the narrow old streets. At closing time, the swarm of bodies on Wharf Street can become so dense in the summer months the uniformed cops find it difficult to see each other when they’re only 10 to 15 feet apart.”
The book veers back and forth between two voices, Loughlin’s play-by-play first-person recollections of the investigation, and Flora’s reporter style, explaining, giving context, sharing an outsider’s wonder at the dedication police officers have to bring to their jobs. Loughlin's tone is authentic and gives an interesting picture of the demands of everyday police life. But Flora's tone misses. Having set the stage, she then waits more than 60 pages to point out that — oh yes! — Amy St. Laurent didn’t disappear in the midsummer crush on Wharf Street, but in late October, and voluntarily left a bar on Middle Street, a far less-busy place in terms of crowds at closing time, for a house on Brighton Avenue.
But despite these shortcomings, the book is a strong read, with a compelling set of elements — it is, after all, a true-crime book — that will bring readers closer to the story behind the news coverage.
Loughlin, who headed the city's detective bureau at the time, defers credit even from himself: “The real heroes in this book are” Danny Young and Scott Harakles, the lead detectives on the case, who spent sleepless nights and countless hours searching for St. Laurent and her killer.
But the most riveting moment, by far, in the entire volume, is the recounting, in tight counterpoint, by Flora and, most compellingly, Loughlin, of the discovery of St. Laurent’s body.
The disbelief is almost raw, even years later, as Loughlin says, “I still can’t believe we found her.”
The fulfillment of the title, easily the most voyeuristic chapter of the book, comes only halfway through the narrative. Finding Amy quickly turns to the subject of convicting Amy’s killer, Jeffrey Gorman, who was arrested while on the lam in Alabanma four days after St. Laurent's body was found, and the story becomes a cautionary tale, of sorts — warning would-be criminals about the vast resources police can draw on, most strikingly their personal commitment to doing the job.
But the book also, and particularly in the endnotes, serves as a warning to women. Loughlin notes that sexual predators are drugging drinks in the Old Port, as in most other club districts, and sexual assaults are common, though fatal ones are still rare.
Finding Amy: A True Story of Murder in Maine (University Press of New England) | Captain Joseph K. Loughlin + Kate Clark Flora | May 12, 7 pm | Books Etc, 38 Exchange St, Portland | 207.774.0626 | May 18, 7 pm | Kennebunk Public Library, 112 Main St, Kennebunk | 207.985.2173
Amy St. Laurent Foundation | Box 664, Yarmouth, ME 04096 | supporting Rape Aggression Defense training + other programs receives a portion of the book-sales proceeds
Wednesday, May 3, 2006
Sidebar: Pill pressure and reproductive rights: What are they? What’s in them? What do they do?
There are dozens of variations on the birth-control pill, all of which have differing amounts of various chemicals simulating two hormones: progesterone (produced by the placenta during pregnancy) and estrogen (produced by the ovaries as they mature and release eggs). The popularity of certain brands may be tied more to their manufacturers' advertising budgets than anything else; variations on the Pill are among the most heavily-marketed drugs in the marketplace.
Typically, the Pill works by tricking a woman’s body into thinking it is already pregnant. That prevents ovulation, in which an egg is released from an ovary into the fallopian tubes, ready to be fertilized and to implant in the uterine lining. The various types of pills also have differing side effects, and some are thought to have lower incidence of certain side effects. Side effects vary not only from pill type to pill type, but from woman to woman.
The major commercially available brands of birth-control pills range in level from 0.05 mg of a synthetic progesterone (levonorgestronel, in Triphasil, Tri-Levlen, and Trivora) to 3 mg of another (drospirenone, in Yasmin), and from no estrogen at all (in Ortho Micronor and DepoSubQ-Provera, also called “the shot”) to 0.05 mg ethinyl estradiol (in Necon 1/50, Norinyl 1/50, Ortho-Novum 1/50, and Ovcon-50). Those with no estrogen, also known as “progesterone-only” pills, generally have fewer side-effects, because they do not have any estrogen in them to cause more.
Generally speaking, birth-control pills’ side effects can include nausea, headaches, mood changes, blood-pressure changes, skin problems, skin improvements, changes in the internal texture or external appearance of the breasts, vaginal irritation, urinary-tract infections, and irregular bleeding (also called “breakthrough bleeding” or “spotting”). Consult your doctor and read the documents accompanying your specific brand of pills to find out more.
SOURCES: Pill manufacturers’ Web sites, www.clevelandclinic.org