Wednesday, June 6, 2007

Support the Portland air-guitar champ

Published in the Portland Phoenix

McNallica, Portland’s air-guitar champion (see “Music Seen,” May 4), will head to the next phase of the US Air Guitar Championships on Friday, in Boston. And she’s inviting you to go with her.

McNallica could use the support — even though this contest will be judged by actual judges (rather than by popular acclaim, like the local championship at SPACE). She’s polishing up her air guitar for the performance, which she promises will feature “two signature moves” she couldn’t perform at SPACE because the stage was dampened by a previous performer’s fake blood. She’s hoping those, and her extensive prep work (she has choreographed three different 60-second routines to different songs, so as not to repeat music used by another contestant), will get her a ticket to the national finals in New York in August.

The judging will be “based on figure-skating,” she says, with a scale from 4.0 to 6.0. No word on whether there’s a Russian judge, but we prepped her with a couple Russkie niceties to drop, just in case.

To get you there, McNallica is coordinating rides down to the 21+ show at Harper’s Ferry (158 Brighton Ave in Allston, Massachusetts) on Friday evening, arriving in time for the event’s start at 9 pm. If you want a ride, e-mail her at emcnally@meridianmg.com. Get your $15 tickets in advance atwww.usairguitar.com or call 800.594.8499. You’ll also get a glimpse of Air Guitar Nation movie star (and non-winner) Bjorn Turoque, the celebrity MC.

Wednesday, May 2, 2007

Air guitar competition: Music Seen at SPACE Gallery, April 28, 2007

Published in the Portland Phoenix; written jointly with Sonya Tomlinson

ST For those wondering how the Air Guitar competition went down — the event was beyond sold out. Even when the space available for the film portion came down to standing room only the audience did not hesitate to express their enthusiasm. Despite the close quarters, the laughing, cheering, and clapping during the movie mimicked what would take place in a living room full of your closest friends.

JI In fact, some of the movie’s scenes — and the live post-movie competition — might have been best done in a living room, rather than on a stage or in front of a camera. But with a movie like Air Guitar Nation, if you can’t react to the events and commentary on the screen, there’s fairly little point in seeing it at all. Air guitar is as much about the art of performing as it is about the act of spectating.

ST Let’s get back to that live competition part. There were nine contestants for the first-ever Portland Air Guitar competition. I believe you were in the front of the crowd, right? Something about your wife being sprayed with fake blood by one of the competitors?

JI Yeah, there were supposed to be 12, but a few backed out and a few signed up on the spot, motivated by the movie, no doubt. Anyway, one of them — HammerSmash — had a cup of fake blood, poured it all over himself and drank it, and then tossed it into the crowd. He was one of the few who appeared to have actually rehearsed, and he ended up in the final three. Sadly, as the youngest contestant in the finals, he appeared to be less familiar with the compulsory song — the contestants had chosen their own songs for the first round — and ended up finishing third. That compulsory song, Poison’s “Talk Dirty To Me” (from 1986’s Look What the Cat Dragged In, if you must know) was a brilliant choice on the part of the organizers, and played right into the hands of the woman who stole the show — McNallica. She’ll be competing in Boston sometime soon, and we’ll keep you posted on that.

ST And we can’t fail to mention Free Bird, who came in second. Even his fans dressed up to support him. If you missed out, be sure to catch the local action at http://www.vimeo.com/clip:179839. And you can catch the film, Air Guitar Nation, at the Movies on Exchange May 2-8.

On the Web
More photos at: http://flickr.com/photos/space538/sets/72157600161646975/

Wednesday, April 18, 2007

Activist says legalize all drugs, not just medical marijuana

Published in the Portland Phoenix

Peter Christ wants to legalize drugs. “Heroin, crack cocaine, methamphetamine, LSD” — all of them. They are so dangerous to people and to our society that “they must be regulated and controlled,” he says, conveniently leaving any specifics to others (doctors, lawyers, pharmacists, almost anyone but a retired police officer, which is what he is).

And Jonathan Leavitt, director of the Maine Marijuana Policy Initiative, wants Christ’s message (Peter Christ’s message, that is — his last name rhymes with “wrist”) to sway Maine lawmakers into relaxing Maine’s medical-marijuana laws in this legislative session, by passing a bill (LD 1418) sponsored by state senator Ethan Strimling (D-Portland).

But Leavitt may have the wrong guy, and Christ may have the wrong message.

Christ is vice-president (pun unintended) of Law Enforcement Against Prohibition, a group of former cops, prosecutors, and judges who say drugs should be made legal, controlled, taxed, and regulated by the government, much like tobacco and alcohol. Then, Christ says, society needs to address the social problem of drug addiction seriously, the way it has with tobacco use — cutting consumption significantly by teaching people what’s actually wrong with a legal product.

Christ is, in fact, opposed to Leavitt’s immediate goal. “If they succeed at what they’re doing,” he says, “then we don’t succeed,” because if lawmakers — and citizens generally — agree that drugs should be banned except for small, narrowly defined reasons (such as medical needs), there’ll be no impetus for wider legalization.

Christ does admit that Leavitt’s effort gets him access to newspaper offices and Rotary clubs. And he says that if LEAP wins its crusade for legalization — and control — of all drugs, then Leavitt’s group will also get what it wants. Leavitt believes slow, incremental change has a better long-term success rate in the political realm.

Much of Christ’s bluster is about his real push: to reform media coverage of society in general (and drugs in particular), because he says that is a necessary precursor to legalization of drugs.

Christ wants newspapers to stop writing about “drug-related” violence — saying that suggests a drug-induced high caused the incident — and instead call it “drug-business-related” violence, reflecting that the participants are usually having a dispute over money, or selling territory, or quality of the product.

“Part of the problem is the press,” Christ says, also lamenting reporters’ “failure to question” authorities, calling police “for balance” when doing stories about him and his activism, but not calling him “for balance” when doing stories about the latest drug bust, and whether it’s an effective way to reduce the availability of drugs on the street.

Leavitt, meanwhile, has hired some lobbyists — Betsy Sweet and Bob Howe (who represent various healthcare-related organizations in the state, among other clients) — to push his bill, which would allow any medical professional who can write a prescription — any doctor, physician-assistant, nurse-practitioner, optometrist, dentist, or podiatrist — to permit someone to grow or buy small amounts of marijuana for personal medical use. (Leavitt says doctors are too conservative, and the prescribing power needs to be expanded to let people get access to marijuana for medicinal purposes. No state agency has any data on how many people take advantage of the law as it stands now.)

The bill would also create a state registry of people who are so authorized, permit the creation of nonprofit stores where marijuana could be purchased by authorized buyers for medical use, and allow such stores to be located anywhere retail businesses are permitted under local zoning laws. And it would bar state, county, or local police officers from assisting federal agents in investigations of medical-marijuana use. It is slated for a hearing before a legislative committee on April 23 at 2 pm in the Cross Building (part of the State House complex) in Augusta.

Wednesday, March 28, 2007

Straight from Peaks to NYC

Published in the Portland Phoenix

It startled even her. Becky FitzPatrick, a Portland cut-paper artist, heard through the grapevine that someone from the Ralph Lauren company was trying to get in touch with her. And when the call actually came, she was again startled to learn why the company was calling.

“Most of my work is small 2-D,” she says, including a piece in the just-completed “Body Parts” show at MECA’s June Fitzpatrick Gallery. But the giant clothing-maker wanted to talk about The Wishing Room, her second-ever piece of installation art, which had been shown at the Sacred and Profane festival on Peaks Island last fall.


The piece, assembled with the help of fellow artist Lisa Pixley, involved hanging hundreds of white paper birds from the ceiling of a large space inside the harbor’s former fort. Visitors were invited to walk through and among them. Ralph Lauren wanted something similar.

It turns out that “the wife of one of the windows team members at Ralph Lauren in New York City,” had had her picture taken with her kids in among the birds. When her husband saw the pictures, he wanted to see more, thinking perhaps a similar work would be good for a smaller display in the store.

“They didn’t even know who I was,” FitzPatrick laughs, noting that Sacred and Profane works are installed anonymously. After seeing more of her work and talking to her at some length, the company brought FitzPatrick to New York for a week to put together her first-ever show in the city. She and a windows crew of full-time and freelance Ralph Lauren workers pulled four all-nighters — installing 600 birds above Ralph Lauren-clad mannequins in the store’s four main windows at the corner of Madison Avenue and East 72nd, a block from Central Park, in the heart of the city’s fashion district. It will be on display for the next six weeks. And FitzPatrick — catching up on her sleep — is now back in Maine, hoping to find more installation work.